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Petrography,mineral chemistry and origin of Type I enstatite chondrites
Authors:C.A. Leitch  J.V. Smith
Affiliation:Department of the Geophysical Sciences, The University of Chicago, Chicago, Illinois 60637 USA
Abstract:Optical and cathodoluminescence petrography were coupled with electron microprobe analysis to relate the textures and chemical compositions of minerals in the chondrules and matrix of the Indarch, Kota-Kota, Adhi-Kot and Abee Type I enstatite chondrites. Clinoenstatites fall into two distinct chemical groups with characteristic red or blue luminescence; red crystals are higher in Ti, Al, Cr, Mn and Ca, and lower in Na, than blue ones. Rare forsterites in Indarch and Kota-Kota show distinct compositions associated with orange or blue luminescence. The chemical ranges are indistinguishable for each color type in chondrules of all textural types, and the presence of both color types in a single chondrule or a metal fragment requires mechanical aggregation of both crystals and liquids of both color types. Porphyritic chondrules are ascribed mainly to aggregation of existing crystals because both types of pyroxene and olivine occur in the same chondrule. Large crystals of one color type are surrounded by fine-grained crystals of another type in some barred and radiating chondrules. All types of chondrules are surrounded by fine-grained rims rich in sulfide. The matrix contains many broken chondrules and individual silicate grains but is rich in sulfide and metal. Analyses are given of albite (minor elements and luminescence color vary between chondrites), kamacite, schreibersite, oldhamite and niningerite.Although the mineral assemblages do not fit theoretical condensation sequences in detail, the red pyroxene and orange olivine might result ultimately from near-equilibrium crystallization in which early reduced condensates reacted with a gas, while the blue crystals might result from fractional condensation in which early condensates were removed mechanically from a gas. Subsequent episodes involving mixing, melting, crystallization, condensation, fracturing, and mechanical aggregation would be needed to produce the complex textures.
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