| Abstract: | This paper focuses on Hong Kong's Gravesweeping Festivals, Qingming and Chongyang. The practices carried out in urban cemeteries at these Festivals are over two thousand years old, and represent “time out” from modern “clock time”. They are examined in the context of Giddens' (1985) reworking of Hägerstrand's time‐space geography, and of Douglas' (1966) discussion of pollution. It is suggested that the cemeteries are regarded as dangerous places because they represent liminal spaces. Giddens' dimension of span enables a distinction to be made between, on the one hand, the long‐established cultural significance of the grave, and, on the other, the recentness of the urban cemetery. The dimension of form(redefined from Giddens' original concept), applied to some details of cemetery landscapes, reveals the “worlds apart” of the non‐material worlds of the spirits and of fengshui. By considering the Festivals in the light of Giddens' dimension, character, it emerges that the Gravesweeping Festivals are, as they have been for centuries, firmly embedded in Hong Kong's social system, where routines of ancestor veneration continue to renew and strengthen the family bonds that are at the heart of Confucian values. Furthermore, their continued observation may well represent practices that are of deep ontological significance to the predominantly immigrant community of Hong Kong. |
