Enacting geographies

We conclude the editorial by glancing ahead to the individual papers. This overview seeks only to highlight motifs, themes, arcs and trajectories (since the papers will obviously exceed anything we might say about them).John Wylie's paper, An essay on ascending Glastonbury Tor, draws upon the work of Merleau Ponty and Heidegger to illustrate how the act of visualizing itself is always a making of seer and seen. The paper thus seeks to speak of a subjectivity produced and performed via practices of ascension and elevation, and, in doing so, to move towards a new understanding of visible landscape in terms of sensuous practices. Cataloguing his own ascent of Glastonbury Tor, Wylie seeks to enact the Tor for the reader, engendering its visibility, its cultural histories, and thus its sensuous reality through his narrative.Motifs of landscape and practice recur in Mitch Rose's paper, Landscape and Labyrinths, which seeks to sketch out a conceptual and methodological approach to cultural landscape beyond the structuralism of cultural geography, which, Rose argues, skewers landscape through stabilisations of meaning. An ontology of overdetermination and surplus, as elaborated by Althusser and Bataille, is offered by Rose as a possible means of becoming attentive to the excessiveness of landscape.Derek McCormack's A paper with an interest in rhythm moves from the false problematic of representing movement to become an exposition of movement within the folds of writing. In a virtuosic exploration of rhythm McCormack produces an animated space that moves, folds and achieves consistency via both non-subjectifying and subjectifying forces. Theoretical considerations are not side-stepped by this performance; rather, the particular rhythms of Deleuze, Guattari and Lefebvre are engaged and enfolded by the paper.Paul Harrison's paper The Caesura: Remarks on Wittgenstein's interruption of theory, or, why practices elude explanation, presents a precise and exacting philosophical exposition of the work of Ludwig Wittgenstein. Harrison uses the work of Wittgenstein to offer a diagnosis of idealism within much contemporary social analysis. Linking up with the special issue's concerns, Harrison suggests that it is the performative which occupies the space vacated by Idealism; a replacement of the Cartesian Ideals of certainty for 'infinitive', and distinctly geographic, understandings––taking -place, making -sense––which speak of the time of the present, not of all Time.