| 论20世纪90年代中国诗歌创作姿态 |
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| 引用本文： | 陈迪泳. 论20世纪90年代中国诗歌创作姿态[J]. 广东海洋大学学报, 2002, 22(2): 74-77 |
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| 作者姓名： | 陈迪泳 |
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| 作者单位： | 湛江广播电视大学,广东,湛江,524003 |
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| 摘 要： | 20世纪 90年代中国诗歌创作在离经叛道中呈现出非线性的、多元多向发展的、自由散漫的生存状态。一是加强个人化写作 :诗人们以现实生活和个体生命的原生状态为切入点 ,以口语入诗 ;二是凸现逃亡主题 :诗人们进入非主流的、反审美的、对大写的“人”的精神逃逸性写作 ;三是注重心灵剖析 ;诗人们勇敢面对不完美的现实 ,更重视内省 ,从而达到精神的超越
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| 关 键 词： | 诗歌创作 个人化写作 精神逃亡 心灵剖析 |
| 文章编号： | 1007-7995(2002)04-0074-04 |
| 修稿时间： | 2002-01-12 |
On the Creative Gtesture of the Chinese 1990''''s Poems |
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| Chen Diyong. On the Creative Gtesture of the Chinese 1990''''s Poems[J]. Journal of Zhanjiang Ocean University, 2002, 22(2): 74-77 |
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| Authors: | Chen Diyong |
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| Affiliation: | Chen Diyong |
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| Abstract: | The Chinese poem writings in the 1990s are completely divorced from the tradition and give a new appearance, which is non linear, pluralistic, free and loose. Firstly, individual creating become stronger. The poets approach their poems by considering the real life and the original state of individual lives, and write their poems in spoken language. Secondly, the theme of escaping predominates. The poets devote their time to writings which do not belong to the main stream, which are against aesthetic standards and which escape from the spirit of Man. Thirdly, inner examinations are stressed and amplified. The poets bravely face the imperfect reality. They pay more attention to inner examinations to transcend their spirit. |
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| Keywords: | Poem creating Individual writing Spiritual escape Inner examination. |
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