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跨境流动视阈下的节庆文化与民族认同研究——中越边境苗族花山节案例
引用本文:唐雪琼,钱俊希,杨茜好.跨境流动视阈下的节庆文化与民族认同研究——中越边境苗族花山节案例[J].地理科学进展,2017,36(9):1081-1091.
作者姓名:唐雪琼  钱俊希  杨茜好
作者单位:1. 西南林业大学园林学院,昆明 650224
2. 香港大学地理学系,香港 999077
3. 华南师范大学地理科学学院,文化地理与文化产业研究中心,广州 510631
基金项目:国家自然科学基金项目(41261031, 51668057);云南省高校重点建设学科风景园林学建设项目
摘    要:边界是分割不同政治实体的界线,但国家对于边界的管治往往是有弹性的,因而孕育了丰富的“流动”,成为经济融合、社会交流与文化对话的重要场域。跨境民族是受其影响的典型群体,他们在原本生活区域被分隔的情况下,从未间断过跨境流动。总体来看,跨境流动过程中的文化认同及其形成机制是多元复杂的。本文以云南省河口县中越边境地区的苗族花山节为研究切入点,通过质性研究方法探讨节庆所折射的民族文化认同与国家认同的建构过程。研究发现:跨界的流动性加强了民族文化的交流与认同,共同促成了花山节的文化传承,维系了跨境民族的亲缘关系。这样的跨界流动亦强化了边界所形成的发展轨迹差异的感知,从而增强了中国籍苗族边民的国家认同与国家自豪感。

关 键 词:边界  跨境民族  节庆  国家认同  民族认同  

Examining festival culture and ethnic identity from the perspective of cross-border mobility:A case study of Huashan Festival at the Sino-Vietnamese borderland
Xueqiong TANG,Junxi QIAN,Xihao YANG.Examining festival culture and ethnic identity from the perspective of cross-border mobility:A case study of Huashan Festival at the Sino-Vietnamese borderland[J].Progress in Geography,2017,36(9):1081-1091.
Authors:Xueqiong TANG  Junxi QIAN  Xihao YANG
Institution:1. School of Landscape, Southwest Forestry University, Kunming 650224, China
2. Department of Geography, The University of Hong Kong, Hong Kong SAR 999077, China
3. Center for Cultural Industry and Cultural Geography, School of Geography, South China Normal University, Guangzhou 510631, China
Abstract:Border is a political institution that not only separates political entities as nation-states with territorially based sovereignty, but also creates potentials for encounter, contact, and exchange. This point of view is particularly relevant to ethnic groups that lead cross-border living, whose lifeworlds are crosscut by de jure borders that impose belonging to nation-states and territorially based citizenship. Yet, the control of borders exercised by sovereign states is never complete or absolute. In contrast, cross-border ethnic groups are usually able to devise myriad tactics and strategies to facilitate border crossing. To interpret the geopolitical implications of such border crossing practices is thus an important academic enterprise for scholars interested in analyzing borderscapes from mundane and bottom-up perspectives. So far, the extant scholarship has pointed to two major lines of arguments that concern the relationship between border crossing and ethnic identity/sense of national belonging. On the one hand, bottom-up and spontaneous mobilities that transcend the confinement of borders are often read as resistance, or at least transgression, to the geopolitical order defined by legal borders. On the other hand, however, it has been warned that an exclusive emphasis on resistance and transgression runs the risk of idealizing cross-border mobilities, while the latter may re-inscribe and consolidate, rather than destabilize identification to nation-states, especially when the radical differences in social, economic, and political niches give rise to heightened perceptions of partition and thus "non-belonging" to a presumed ethnic identity. In this vein, this article proposes the hypothesis that the possibility of cross-border mobility re-inscribing borders and consolidating sense of belonging to nation-state cannot be ruled out. This article uses a case study of cross-border attendance of Huashan Festival at the Sino-Vietnamese borderland. Overall, the empirical findings suggest that the maintenance of cross-border ethnic ties and identity and the assertion of national belonging to China are two processes that are largely co-existence, even mutually reinforcing. The ways in which Huashan celebrations are organized at the two sides of the border are now radically different. While Huashan in Vietnam adheres more loyally to traditional practices, norms, and taboos, the one at the Chinese side has incorporated staged performances to boost local tourism and refashioned ethnic cultural activities to make them in tune with standards and tastes of "modern", “urban” popular cultures. Consequently, Chinese Miao tend to consolidate a sense of belonging to China due to a sense of being “modernized” and culturally superior.
Keywords:border  cross-border ethnic groups  festival  national identity  ethnic identity  
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