| 论苏轼诗歌景物描写的绘画美 |
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| 引用本文： | 张连举.论苏轼诗歌景物描写的绘画美[J].广东海洋大学学报,2004,24(2):78-81. |
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| 作者姓名： | 张连举 |
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| 作者单位： | 广东省公安司法管理干部学院学报编辑部,广东,广州,510232 |
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| 摘 要： | 苏轼诗歌中的景物描写渗透着诗人的情才和画家的技艺.诗歌在描写景物时浓墨淡写,构图简括,达到了虚与实精妙结合的境界;善于刻画自然事物的运动状态,写出景物运动的时间感、距离感、立体感,或变静为动,赋予景物运动情态;并且还描写景物的的新鲜色彩,使作者之情融于景物,唤起读者的色彩感觉,从而给人以美的感受.
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| 关 键 词： | 苏轼诗歌 绘画美 构图简括 情韵飘荡 融情于色 |
| 文章编号： | 1007-7995(2004)4-0078-04 |
| 修稿时间： | 2003年8月17日 |
On Aesthetic of Drawings in Sushi's Poem |
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| ZHANG Lian-ju.On Aesthetic of Drawings in Sushi''''s Poem[J].Journal of Zhanjiang Ocean University,2004,24(2):78-81. |
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| Authors: | ZHANG Lian-ju |
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| Abstract: | Sushi is a famous poet in Song Dynasty(A.D960-1127) . In his poems, the gift as poet and his technique as an artist are soluble in the depiction of scenery in the aspect of the construction of heavy ink drawing and simple writing, floating verse and graceful colour. Su's poems are drawings in essence. |
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| Keywords: | Sushi's poem aesthetic drawings construction floating verse emotion soluble in depiction of scenery |
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