A FELT GEOGRAPHY*

In this article I revisit a literary‐audio work I created in collaboration with a Vancouver composer for Intersections, a new music series organized by the Western Front in Vancouver, Canada. We spliced together recorded interview material with composed music to craft a site‐specific acoustic landscape. This work is presented as a site in which to explore creative, experimental ways of restaging memory and of bringing experiential landscapes more fully to life, immersing public audiences in the felt histories of the city.