| Abstract: | Abstract— The Wold Cottage meteorite (fell, 1795), as is well known, played an important part in meteorites being accepted as stones from the sky. In most cases, the very select group of people who have been privileged to witness any meteorite fall, let alone one as important as Wold Cottage, enjoy a moment's fame but then disappear into obscurity. In this respect, Wold Cottage is very different; Edward Topham, the man who reported the fall and who became the meteorite's publicist, was already very well known for many other reasons. This fact contributed substantially to the evidence provided by his workmen being accepted, following two public exhibitions of the meteorite, the second after sworn testimonies were obtained. Here we explore Topham's background in order to reveal his character, particularly the value he placed on truth. When he passed the meteorite over to a public museum, he did so in the belief that he was acting for the benefit of posterity. At a time when the idea of meteorites being extraterrestrial was still controversial, the Wold Cottage stone vitally prompted the observation that specimens from different parts of the globe closely resembled each other, thus stimulating the crucial chemical analyses which verified that they were indeed related. During its first twenty years on Earth, the Wold Cottage meteorite was a prized specimen, a public attraction and sought after for scientific teaching purposes. In researching Wold Cottage, we have been able to discover information about many of the personalities who were involved in providing and studying the first few meteorites to become available for scientific research. The Wold Cottage story gives an interesting perspective on the cultural scene at the end of the eighteenth and beginning of the nineteenth centuries when there was no clear distinction between the arts and sciences, and meteoritics was the prerogative of often rather flamboyant gentlemen. |
