CT图像存档与管理解决方案

本文针对数字影像设备（如CT、MRI等）日益突出的图像存储和管理问题，进行深入的分析和研究。鉴于不同厂家和时期设备配置不同，提出了4种切实可行的解决方案：胶片扫描，视频采集，光盘或MOD输入，DICOM接口连接，完全解决了图像长期大量存储的问题。同时具有网络联机查询，图文报告，电子病历管理，激光相机接口等丰富的增值功能，是数字化医院的理想选择。     

Parameters affecting maximum fluid transport in large aperture fractures

We present results of laboratory experiments to study the behavior of liquids moving in unsaturated wide-aperture fractures. A 5-mm-thick glass plate cut with a 1.7-mm aperture was used as a fractured rock analog to study behavior of film and capillary droplet flow modes. Flow rates ranged between 0.6 and 6.0 ml/min. Variability in the ambient barometric pressure, resulting from weather conditions, seemed to play a role in the natural selection of flow mode. For droplet mode, constant input conditions resulted in highly variable transport properties within the fracture. The advancing meniscus exhibited a dynamic contact angle that was a function of the droplet speed and much larger than the static contact angle. Flow rate was reduced due to the larger contact angle. Analytical expressions for droplet velocity and flow capacity are presented as a function of the dynamic rather than the static contact angle.     

Beating words to life: subtitles,assemblage(s)capes,expression

Ostensibly, subtitles in films serve as linguistic approximations of meaning. Expectedly then, much of the debate surrounding subtitling has been concerned with representational accuracy, fidelity and authenticity. In this article I argue that by encountering subtitles as affective bodily expressions, as opposed to approximate representations of pre-existent meanings or intentions, filmic experiences may be(come) transformed and differently transformational. As a result, meaning and accuracy in subtitles as superimposed signifiers or static representations become secondary to subtitles as spatially affective- and expressive-movements intimately part of filmic scapes. The creative use of subtitling in Bekmambetov’s Russian language film Night Watch (Nochnoy dozor; 2006 [2004]) is discussed.

Kinetics,Mechanistic and Thermodynamics of Zn(II) Ion Sorption: A Modeling Approach

Biosorption potential of Cedrus deodara sawdust (CDS) in terms of sorption of Zn(II) ion across liquid phase has been evaluated in the present investigation. The surface of the CDS biomass before the sorption of Zn(II) ions seemed to be more porous, non‐crystalline and heterogeneous. The maximum uptake capacity of CDS was 97.39 mg g^?1. Sorption of Zn(II) ion on the surface of CDS sawdust was maximum at pH 5, temperature 45°C, initial concentration of Zn(II) ion 100 mg L^?1, biomass dose 1 g L^?1, contact time 150 min, and agitation rate 160 rpm. Pseudo second‐order kinetics with the highest linear regression coefficient (R² = 0.99), and lowest values of error functions, i.e., chi (χ²) and sum of square errors (SSE) against pseudo first‐order rate kinetics showed that the sorption of Zn(II) ion on the surface of CDS was mediated by chemosoprtive forces of attraction rather than physical adsorption. Mechanistically, relatively higher proportion of sorption of Zn(II) ion in early phase of contact time was profoundly explained by Bangham's equation and film diffusivity (D^f). Intraparticle or pore diffusion (D_p) of Zn(II) ion inside the pores of CDS was rate limiting step at the later stage of contact time. Furthermore, the thermodynamic study on sorption of metal ion delineated the fact that the Zn(II) sorption on the surface of CDS was spontaneous, endothermic together with increased entropy at solid liquid interface.     

Designing sound in cybercartography: from structured cinematic narratives to unpredictable sound/image interactions

In this paper we draw on the analysis of sound in film theory in order to explore the potential that sound offers cybercartography. We first argue that the theoretical body developed in film studies is highly relevant to the study of sound/image relationships in mapmaking. We then build on this argument to develop experimental animated and interactive sound maps for the Cybercartographic Atlas of Antarctica that further explore the potential of sound for integrating emotional, cultural and political dimensions in cartography. These maps have been designed to recreate cinematic soundscapes, to provide contrapuntal perspectives on the cartographic image and to generate an aural identity of the atlas. As part of this experimental mapping, an innovative sound infrastructure is being developed to allow complex sound designs to be transmitted over the Internet as part of atlas content. Through this infrastructure the user can select as well as contribute his own sounds. The overall cartographic message is becoming less predictable, thus opening new perspectives on the way we design, interact with, and modify sounded maps over the Internet.     

极地科考影音技术研究

极地科考影像资料是通过胶片模拟图像信号形式存储的。为了后期进行非线性编辑制作,有必要把胶片上存储的模拟图像信号转换为磁带录像电信号。通过深入地对比与研究,利用胶转磁技术完成这个工作是一个有效的方法。本文通过CCD胶转磁设备对极地科考影像资料进行胶转磁处理,并对转换后的影像资料与声音进行影音同步处理。     

强成膜性护壁冲洗液体系的研究与应用

强成膜性护壁冲洗液体系是地质调查项目"重点成矿带钻探冲洗液关键技术研究与示范"项目的研究成果之一,是以强成膜性护壁剂GCMJ-2为主要处理剂而配制的一种护壁冲洗液体系。该冲洗液体系主要针对松散破碎地层及强水敏性地层的钻探施工中遇到的难题,具有强成膜性、抑制性和胶结性。通过在宁夏银川盆地第四系环境科学钻探、新疆黄土钻探以及四川若尔盖湖泊科学钻探中应用,该体系显示出较强的护壁和护心效果:孔壁稳定、取心质量好,有效地保证了项目的顺利实施。     

A smoothed particle hydrodynamics model for droplet and film flow on smooth and rough fracture surfaces

Flow on fracture surfaces has been identified by many authors as an important flow process in unsaturated fractured rock formations. Given the complexity of flow dynamics on such small scales, robust numerical methods have to be employed in order to capture the highly dynamic interfaces and flow intermittency. In this work we use a three-dimensional multiphase Smoothed Particle Hydrodynamics (SPH) model to simulate surface tension dominated flow on smooth fracture surfaces. We model droplet and film flow over a wide range of contact angles and Reynolds numbers encountered in such flows on rock surfaces. We validate our model via comparison with existing empirical and semi-analytical solutions for droplet flow. We use the SPH model to investigate the occurrence of adsorbed trailing films left behind droplets under various flow conditions and its importance for the flow dynamics when films and droplets coexist. It is shown that flow velocities are higher on prewetted surfaces covered by a thin film which is qualitatively attributed to the enhanced dynamic wetting and dewetting at the trailing and advancing contact lines. Finally, we demonstrate that the SPH model can be used to study flow on rough surfaces.     

Body politics and spaces of drug addiction in Darren Aronofsky’s <Emphasis Type="Italic">Requiem for a Dream</Emphasis>

Through a critical analysis of Darren Aronofsky’s filmic adaptation of Hubert Selby’s Jr.’s Requiem for a Dream (2000), this article explores different relational understandings of drug using bodies and spaces of addiction. In an attempt to move away from modernist readings of addiction I look to different relational and ethical understandings of bodies and assemblages offered in the work of Gilles Deleuze and Felix Guattari. By approaching the subject of drug addiction through the film and Deleuzian–Guattarian philosophy, this article presents different insights and alternative political and ethical imaginaries of what drug bodies and spaces are and do.