The columnar cactus Polaskia chende, endemic to Central Mexico, occurs in the wild and in silviculturally managed populations where artificial selection for better edible fruits operates by sparing and favouring desirable phenotypes during vegetation clearance. Wild and managed populations were compared in morphology and reproductive biology to analyse if human selection has influenced phenotypic divergence, if it has modified breeding systems and if reproductive isolation exists between them. Fruits from managed populations were larger (6·36±0·17 cm3), heavier (19·62±1·32), sweeter (9·07±0·25 °Brix), and with thinner peel (2·09±0·13 mm) than those from wild populations (5·77±0·18 cm3, 15·73±0·85 g, 8·23±0·31 °Brix, and 2·58±0·14 mm, respectively). Both population types bloom synchronically, show diurnal anthesis, with bees as the most likely pollinators, and have breeding system predominantly self-incompatible. Spatial and temporal barriers to pollen exchange between wild and managed populations are unlikely, and morphological differences would be related with an ongoing process of artificial selection. 相似文献
Strong and rapid greenhouse gas (GHG) emission reductions, far beyond those currently committed to, are required to meet the goals of the Paris Agreement. This allows no sector to maintain business as usual practices, while application of the precautionary principle requires avoiding a reliance on negative emission technologies. Animal to plant-sourced protein shifts offer substantial potential for GHG emission reductions. Unabated, the livestock sector could take between 37% and 49% of the GHG budget allowable under the 2°C and 1.5°C targets, respectively, by 2030. Inaction in the livestock sector would require substantial GHG reductions, far beyond what are planned or realistic, from other sectors. This outlook article outlines why animal to plant-sourced protein shifts should be taken up by the Conference of the Parties (COP), and how they could feature as part of countries’ mitigation commitments under their updated Nationally Determined Contributions (NDCs) to be adopted from 2020 onwards. The proposed framework includes an acknowledgment of ‘peak livestock’, followed by targets for large and rapid reductions in livestock numbers based on a combined ‘worst first’ and ‘best available food’ approach. Adequate support, including climate finance, is needed to facilitate countries in implementing animal to plant-sourced protein shifts.
Key policy insights
Given the livestock sector’s significant contribution to global GHG emissions and methane dominance, animal to plant protein shifts make a necessary contribution to meeting the Paris temperature goals and reducing warming in the short term, while providing a suite of co-benefits.
Without action, the livestock sector could take between 37% and 49% of the GHG budget allowable under the 2°C and 1.5°C targets, respectively, by 2030.
Failure to implement animal to plant protein shifts increases the risk of exceeding temperate goals; requires additional GHG reductions from other sectors; and increases reliance on negative emissions technologies.
COP 24 is an opportunity to bring animal to plant protein shifts to the climate mitigation table.
Revised NDCs from 2020 should include animal to plant protein shifts, starting with a declaration of ‘peak livestock’, followed by a ‘worst first’ replacement approach, guided by ‘best available food’.
In this paper, we critically examine the role of artistic locational choices and practices in the context of gentrification processes in urban renewal contexts. We characterize gentrification as a form of domestication of space, and explore the extent to which artistic choices and practices relate to such process with reference to the deontological dilemma of legitimization within the art system vs. responsible empowerment of vulnerable local constituencies. We illustrate our argument with an analysis of the High Line Art project, and show how this can be considered as a textbook example of art-driven space domestication leading to brutal forms of gentrification. We comment on the threat that this provides to the social credibility of artistic practices as an agency of responsible social change. 相似文献