中国海洋旅游业的发展与地位研究

中国的海上旅行活动历史悠久，经过几个历史时期的发展，现代的海洋旅游已进入全新的发展时期。海洋旅游业在海洋产业中具有先导地位，发展潜力很大。为了促进中国海洋旅游业的可持续发展，必须对其发展条件和对策进行分析、研究，使中国早日跻身于世界海洋旅游业发达国家的行列。     

Creative industries in the tropics: Reflections on creativity and northeastern Australia as place

This paper explores the concept of creativity and place as relevant to Cairns and Townsville in northeastern Australia. These two provincial cities are key to the economic and population growth of northern Australia and as such are the focus of renewed interest from all levels of government. While the creative industries sector in each location is significant, to date there has been no research specifically exploring the views of industry participants in terms of the creative strengths, impediments and opportunities across the region. Interviews with 38 creative industries participants were completed, revealing the significant benefits and challenges associated with being located in a remote tropical environment where the concept of place is strong. The interviews also reveal a number of potential growth strategies for the sector in each location that have the potential to inform policy and urban development approaches not only in the tropical north of Australia but also more broadly across the country. That is, the findings provide further evidence in support of the need for ongoing research into the particular contributions of regional and rural cities to the global creative economy.     

全球地理信息产业创新链结构分析

以地理信息产业为研究对象,使用授权发明专利数据,在地理信息产业链的基础上,提出产业创新链结构研究方法。进而,从总体结构角度和特定地域结构角度对创新链发展现状进行量化评估,对世界各国,特别是中国、美国和日本的创新链结构完整性和领先环节展开比较分析。结果表明：①从总体结构看,全球创新链因下游环节创新能力的弱势而呈“倒三角形”结构。从特定地域结构看,大多国家和地区的地理信息产业创新链并不完整,存在断环或孤环,除中国外的全球创新链因中游环节的相对弱势而使上下游间存在裂隙,呈上部宽、下部较窄,中部细窄的“沙漏形”结构;②相对而言,中国产业创新链较为完整,中游环节在全球市场中具有显著比较优势,但创新链的产学研合作薄弱,市场化程度低,技术竞争力与美国相比存在落差。     

中国创意产业区理论研究的进展与问题

创意产业在中国发起于21世纪初的东部大都市,系统收集国内建筑学、产业经济学、人文地理学、区域经济学等学科的创意园区相关研究成果,评述中国自21世纪初创意产业兴起以来的基本概念研究、创意园区成长模式及机制、创意园区空间组织与园区规划、创意园与城市更新、创意园内部空间的研究进展。认为中国大城市内城产业升级与城市再生为创意园区的诞生与发展提供了历史契机。通过近8年努力,国内创意园区研究①已初步形成以创意园区成长模式与机理、创意园区规划建设、创意园区与城市更新为主的研究方向;②研究方法形成了以实证主义为主流的哲学基础;③研究队伍呈现以城市规划学、人文地理学等学科为主的综合交叉。同时,综述认为：中国对创意产业区相关概念认识不清,未能将集群的内核与创意产业的核心有机融合;其次是对于创意产业区的研究应坚持从微观的创意产业的某一类型,甚至是其一项目为分析单元,从制度、经济、文化等宏观方面诠释产业区内核的组织与发育过程;再次是中国创意产业区研究必须从创意经济和＂全球性—地方性＂博弈视野,探索创意产业区形成与演化的生境和其对城市发展—空间规划的空间效应（也即创意空间的生长）及城市响应策略研究。     

基于偏离-份额的新疆主导产业识别

在运用偏离份额分析方法对新疆36个产业进行动态分析的基础上,对新疆主导产业进行识别与筛选。通过对运算结果进行分析,选择出支撑新疆发展的3个主导产业:石油和天然气开采业、黑色金属冶炼及压延加工业和化学原料及化学制品制造业。同时,对优势产业、一般产业和衰退产业进行识别判断。最后对主导产业发展提出相关对策建议:进一步提高自身的生产技术,促进上下游产业生产技术的提高;加大政策扶持力度,使主导产业充分发挥带动新疆经济发展的作用;建立产业发展环境,以主导产业为核心,选择产业集聚地,建立产业集聚工业园,促进相关其他产业的发展。     

辽宁沿海经济带海洋产业结构及竞争力评价研究

海洋产业结构是海洋经济发展质量的重要指标。文章运用偏离-份额分析法并引入增长率指数、区域结构效果指数和区域竞争力效果指数,对辽宁沿海经济带6市2009—2018年海洋产业结构和竞争力进行对比分析,研究表明:辽宁沿海经济带海洋经济发展迅速,海洋产业结构整体较好,但在海洋产业内部,海洋第一产业发展缓慢,综合竞争力较低;海洋新兴产业在海洋第二产业中占比重较小;海洋第三产业已成为辽宁沿海经济带主导产业,发展优势明显。辽宁沿海经济带还需更加注重产业发展的合理配置,力图能将各产业间发展形成协调互补的可持续发展结构。     

Mechanisms and Processes Leading to Reverse Zoning in the Andong Granitoid Pluton, Andong Batholith, Korea

The Andong pluton consists of comagmatic granitoid rocks which constitute outstanding examples of reversely zoned granitoids. The pluton has three lithofacies: hornblende biotite tonalite, biotite granodiorite and porphyritic biotite granite. The zoned pattern forms by locating a tonalite core containing high-temperature mafic assemblages in central part,granodiorite rims in marginal part, and a porphyritic granite cap containing more felsic assemblages in topside of the pluton.Mineral abundances as well as bulk compositions of the granitoids indicate that the interior is enriched in mafic minerals and that it shows higher contents of oxides than the margin and topside. The compositional gradients change gradually with continuity between the lithofacies. The regular compositional variations within the pluton support the argument that the pluton behaved as an individual petrochemical system. Model abundances of the granitoids are in agreement with the bulk compositional gradients, suggesting that no significant interaction with country rocks occurred. Remobilization (resurgence) of deeper parts of the system into the more felsic magmas of the chamber explains the reverse zoning. Fractional crystallization was of importance and probably accounts for the selective removal of the settling phases. The Andong pluton is an example of reversely zoned plutons related by remobilization of more mafic but consanguineous magmas. Large-scale upwelling occurred in the pluton leading to the present arrangement of three lithofacies. It is conceivable that remnants of the reverse zoning become more difficult to discern as the plutonic rocks reach the latest stages of their evolution. In this case, the Andong pluton represents an earlier stage in the evolution of a felsic system that is usually represented by the final stages in normally zoned plutons.     

中部省区制造业区域专业化分工与竞合关系演进

采用克鲁格曼区域分工指数和专业化指数对中部省区2000年,2004年和2008年的制造业区域专业化分工水平进行测度;进而通过构建竞合关系模型结合马尔可夫状态转移概率矩阵对中部省区间的竞合关系进行判断并对其演进态势进行探讨。中部省区间制造业专业化分工水平不断提升,但省际间区域分工的非均衡性较为显著,山西与各省区间的分工程度较高,提升速度较快;竞合关系分析显示山西与其它省区主要表现为强互补合作关系,而其它省区间则主要表现为竞争型区域经济关系,且竞合关系演进的两极分化态势明显。由此认为,优化区域产业分工格局,建立区域经济协调发展机制是加强中部地区经济合作,实现区域经济联动发展的重要举措。     

新疆农业主导产业的定量选择及其分析

在新疆农业产业化的进程中,为了将农业资源优势转化为经济优势,需要正确地选择农业主导产业来促进新疆农业资源的优化配置和农业产业化的发展。基于相关的统计数据,运用灰色聚类法对新疆农业主导产业进行量化分析,以量化分析的结果为基础,结合新疆农业的实际情况对农业主导产业作进一步的分析。用定量与定性相结合的方法分析出现阶段新疆农业主导产业是棉花种植业、农产品加工业和林果业;农业优势产业为畜牧业和糖料种植业;农业一般产业为粮食种植业、油料种植业、水产业和家禽养殖业。     

Locating art worlds: London and the making of Young British art

The international prominence of Young British art (YBa) in the 1990s gave London a contemporary art movement to match its role as one of the world's key centres of art exchange. Examining the rise of YBa in retrospect, this paper is concerned with the difference place makes in helping to shape the (hi)story of art. It is argued that London's established role as an international art centre was crucial in providing the density of networks, associations and facilities necessary to sustain an international art movement. At the same time, YBa's success can be linked to London's changing status as a cultural capital, as well as profound changes in the business of contemporary art. Attention is drawn to the ways in which the international art world is dominated by networks formed within and across a limited number of world art cities.