森林沼泽景观区中大比例尺化探找矿工作方法的研究--记大梁金矿的发现

大梁金矿是通过森林沼泽景观区开展1：50000和1：25000地球化学测量及综合地质工作而发现的,证明采用的森林沼泽景观中大比例尺化探方法是行之有效的.     

桩底注浆钻孔灌注桩承载力的研究

通过天津地区几例钻孔灌注桩桩底注浆的静载荷试桩结果 ,分析天津地区钻孔灌注桩桩底注浆单桩竖向极限承载力标准值的估算方法     

浅论安阳市传染病医院规划设计

以安阳市第五人民医院整体搬迁工程的设计为例,通过设计思路的详细介绍,阐述了传染病医院规划设计中注意到的几点问题。     

城市建筑环境--浅谈长沙市中医医院方案设计

本文以长沙市中医医院的方案设计为例,对如何利用自然环境划分、组织建筑空间以及结合当地人文、地理环境塑造合理的建筑造型进行了详尽的描述。     

工程勘察设计行业信息化建设问题反思及其新领域应用开发综述

本文通过对勘察设计行业信息化建设的深入思考,总结并提出了在设计院信息化建设七个领域应用开发的新思路。     

工程勘察设计信息集成化系统的实施状况及其思考

国家建设部“全国工程勘察设计行业2000～2005年计算机应用工程及信息化发展规划纲要”发布后,备受工程设计企业关注,但推行情况却不甚理想。本文通过阐述信息集成化系统的主要任务和目标,分析其应用状况,寻求推广受阻原因,提出了开发该系统的思路和改善其实施环境的建议。     

虚拟现实和G IS系统集成方法分析

从三个角度论述虚拟现实(V irtua l R ea lity,VR)和地理信息系统(G IS)集成的必要性,通过对集成方法的归纳,提出4种集成方式,并详细介绍了各自的结构体系和具体特征。在此基础上划分了VR与G IS系统集成的4个阶段,分析当前系统集成现状,指出其发展趋势。同时探讨了VR和G IS系统集成中存在的关键问题,包括数据、虚拟景观技术、VRG IS网络化等,给出目前解决这些问题的一些建议和具体途径。     

Contesting ‘Local’ Commemoration of the Second World War: the case of the Changi Chapel and Museum in Singapore

This paper concerns the performance of national war memory at the Changi Chapel and Museum, a site honouring the many prisoners interned in Japanese-Occupied Singapore—especially at Changi—during the Second World War. In the light of the global nature of ‘the Changi story’, and the predominantly transnational nature of its present in situ memorialisation, we first examine how the Singapore state has sought to ‘localise’ the site to make it equally appealing to Singaporeans, as a place where a sense of their ‘shared history’ may be invoked. We then explore the Singaporeans' views about the site and its reconfiguration as a national icon, arguing how the state's task of ‘localising’ the site has been a vexed process due to myriad factors such as ethnic and religious plurality, and the already foreign-centric bias of prevailing knowledge about Changi. Following that, we show how this performance of national memory is also inflected by Australia's national remembrance of the same event. More broadly, we highlight the contested process of ‘localising’ such war memoryscapes as national iconography, suggesting how it may be more fruitful to conceive them as ‘international memoryscapes’, or places to which all individuals can relate regardless of race or national affiliations.