Contesting ‘Local’ Commemoration of the Second World War: the case of the Changi Chapel and Museum in Singapore

This paper concerns the performance of national war memory at the Changi Chapel and Museum, a site honouring the many prisoners interned in Japanese-Occupied Singapore—especially at Changi—during the Second World War. In the light of the global nature of ‘the Changi story’, and the predominantly transnational nature of its present in situ memorialisation, we first examine how the Singapore state has sought to ‘localise’ the site to make it equally appealing to Singaporeans, as a place where a sense of their ‘shared history’ may be invoked. We then explore the Singaporeans' views about the site and its reconfiguration as a national icon, arguing how the state's task of ‘localising’ the site has been a vexed process due to myriad factors such as ethnic and religious plurality, and the already foreign-centric bias of prevailing knowledge about Changi. Following that, we show how this performance of national memory is also inflected by Australia's national remembrance of the same event. More broadly, we highlight the contested process of ‘localising’ such war memoryscapes as national iconography, suggesting how it may be more fruitful to conceive them as ‘international memoryscapes’, or places to which all individuals can relate regardless of race or national affiliations.