武汉大学意象地图配色研究

以武汉大学校园意象地图为研究对象,对意象地图的色彩搭配进行了研究,提出了意象地图色彩设计的方法。结果表明,地图主色调要通过调查分析得到,区域的重要性采用分层设色来显示,意象因子的色彩设计要结合重要性与真实性,非意象因子的色彩设计既要突出意象因子又要衬托整幅地图。     

从美学的角度看地图色彩

地图是一件综合艺术品,地图上观感最强的色彩,一直是地图设计者和读者关注的问题.多年来有过很多对地图色彩设计的探讨,但近几年探讨似乎越来越少,这是令人担忧的事,因为地图色彩设计是一个随时代变化、发展的问题,需要制图人不间断的研究.因此,本文抛砖引玉,希望唤起地图色彩设计研究的继续.     

浅谈地图制印中的色彩设计

浅谈地图制印中的色彩设计北京市测绘设计研究院刘筱荣色彩是表示地图内容的一种重要方法，正确地选择色彩，可以突出主题、丰富图面，增加地图信息量和表现力，从而大大提高地图的使用价值和艺术性。色彩设计与地图制印工艺设计关系密切，通过地图复制手段及一系列技术程...     

浅谈地图的彩色管理

采用新的色彩管理手段和方法是实现地图色彩高质量和一致性的关键。通过对现代彩色管理系统软件的研究，简要介绍了地图色彩管理的内容及其软件应用的目的。     

地图色彩的美学设计研究

随着科学技术的发展和人们生活水平的提高,不仅要求地图具有实用性,更要具有艺术性。地图作品要具有艺术性,应从多方面努力,如版式设计、色彩运用、印刷和装帧等。本文仅从地图的色彩设计方面进行研究。     

影响印刷地图色彩的因素

随着地图学的发展和地图使用领域的拓宽,地图的品种、内容和色彩日趋丰富多样。除了地图固有的特性外,广大的地图制印工作者都在地图的题材、表现形式、印刷手段上求新、求异、求特,各国都在努力制作高水平的地图作品。然而,国内大部分的地图印品还缺乏生气,图面色彩显得平庸、暗淡,其精美性和艺术性与国外相比有着较大的差距。本文就影响印刷地图色彩的有关因素作些探讨。彩色印刷复制的过程实际上就是颜色的分解、转     

地图中色彩明度对比对图面效果的影响

色彩明度对比在表现地图内容中有着极为重要的作用 ,如地形的起伏、事物分布密度的变化以及地图层面等都需要运用明度对比来表现。而从色彩构成角度看 ,明度对比是色彩构成的基础 ,因此 ,处理好色彩明度对比不仅能很好地表现地图内容 ,同时还能改善地图的装饰效果。本文试从色彩构成角度探讨一下地图色彩明度对比设计问题。一、明度对比与图面的清晰感地图中的符号是否清晰与色彩明度对比状况密切相关。如在红纸上写绿字没有写黄字来得清晰 ,而在白纸上写黄字反而看不清楚 ,其中的原因就是明度对比的大小问题。在彩色图上也经常遇到底色与其…     

地图的色彩设计

主要论述了地图上色彩的配合规律，重点探讨了地图上点、线、面状符号以及注记色彩的设计原则和方法，进一步阐明了地图色彩作为最基本的地图语言之一，在现代地图中所起的重要作用。     

王涛谈地图色彩(三)--色彩的震撼力

色彩作为一种视觉符号，一旦被组装到地图上时，就不是一种孤立的装饰物，不同色彩组合会造成不同的心理感受，有的感到美，有的感到丑，有的给人以震撼，有的给人以平静，有的喜欢，有的厌恶，因此，在设计地图色彩时忌讳无章法地填充色彩，那样，只是色彩的堆积，却不能起到深化地图主题的作用，更不让读者铭诸腑肺。     

在地图出版系统中实现色彩管理

分析了国内常用的几种地图出版系统在色彩管理方面的不足；依据色彩管理的步骤，介绍了在地图出版系统中实现色彩管理的方法。     

Map Libraries

Colour distortion, which is caused by the unavoidable mismatch between a map’s gamut and a device’s gamut, negatively affects the semiotic quality of maps. Cartographic communication often suffers from undesirable colour inconsistency. This method models cartographic colour reproduction as a constrained transform problem, namely, adapting a map’s gamut to fit a device’s gamut while preserving the semiotic quality. First, the characteristics of the map’s gamut are investigated by considering cartographic principles, and the fundamental concerns of preserving semiotic quality are proposed. Then, the self-organizing map method is introduced to iteratively optimize the cartographic colour reproduction. We implement this method and evaluate it based on a series of thematic maps. The results indicate that the proposed algorithm offers better results than two alternatives in terms of facilitating cartographic colour reproduction.     

地图色彩的配合

提出了GIS组件与演绎数据库推理功能相结合的一种集成方法．阐述了二者结合的优势，提供了一种用Horn子句表达空间查询规则的方法并结合具体实例进行详细描述。     

Maps > Representation

Abstract

Colour is considered a key means of expression for use in cartographic works. This is because colours and the relations among them influence not only the aesthetic impression a map creates but also its overall utility. In addition to Newton’s spectral colour theory, today theories with origins in artistic technique are gaining ground in cartography. This article introduces J. Itten’s colour theory (first published in 1961 in The Art of Colour [Kunst der Farbe]) with special attention given to his concept of seven colour contrasts. The article also discusses the suitability and unsuitability of their application in practical cartography, and it contributes original examples employing thematic maps, a discipline with broad possibilities for the application of these inventive methods by today’s mapmakers.     

Towards a Deeper Understanding of Cartographic Text Visualisation: Assessment of User Preferences and Colour Influence

The main goal of this research is to investigate the influence of a map’s background colour on user preferences regarding labels’ typography, including their size, shape, orientation and texture. Four sets of backgrounds were tested: blank maps, grey scale, hot colours and cold colours. The foreground of these maps is populated with name labels, which are associated with point objects or areal objects. Bertin’s visual variables were applied to this set of name labels, both separately and in combination. User preferences of different typographic variations were registered and compared on the basis of different background colours using a one-way ANOVA. The results indicated that the typographic design of the map labels should not be adapted according to the map’s background colour.     

Assessing the Effectiveness and Efficiency of Map Colour for Colour Impairments Using an Eye-tracking Approach

Colour impairments influences access to geographical information which is usually represented by colour maps. Three dimensions of colour: Hue, Saturation and Value (HSV), are intuitive and most critical visual variables in map design. In this paper, we specifically focus on colour deficiency of red-green colour impairments. A controlled experiment was designed and conducted to explore how three colour dimensions (HSV) affect the abilities of people with normal colour vision or with red-green colour impairments to distinguish colours in maps. An eye-tracking approach was applied to quantify the accuracy and response time by capturing user eye movements to analyse the effectiveness and efficiency. In this study, we used one section of the administrative map of Hebei Province to test participant responses to area features. Differences of effectiveness and efficiency across normal colour vision and red-green colour impairments were compared. Multiple comparisons among Hue, Saturation and Value were analysed. Results show that for both normal colour vision and red-green colour impairments, Hue is the most differentiable than Saturation and Value. Saturation and Value are at the same level to be differentiated and more difficult to be distinguished. Guidelines of designing maps for both normal colour vision and red-green colour impairments were derived. The results of this study can be helpful to improve the map designs for colour deficiency.     

彩色图像的层次复制函数

以现代彩色复制理论为基础，根据原稿、分色过程、油墨、印刷过程对印刷品层次的影响，建立了彩色复制各环节之间图像层次传递的函数关系，并用Ｃ语言编写了计算机程序，用以计算彩色分色所需要的分色数据和绘制分色曲线     

ColorBrewer.org: An Online Tool for Selecting Colour Schemes for Maps

Abstract

Choosing effective colour schemes for thematic maps is surprisingly difficult. ColorBrewer is an online tool designed to take some of the guesswork out of this process by helping users select appropriate colour schemes for their specific mapping needs by considering: the number of data classes; the nature of their data (matched with sequential, diverging and qualitative schemes); and the end-use environment for the map (e.g., CRT, LCD, printed, projected, photocopied). ColorBrewer contains 'learn more' tutorials to help guide users, prompts them to test-drive colour schemes as both map and legend, and provides output in five colour specification systems.     

论地图符号中的地图美学

地图产品是科学和艺术的结合体，地图符号又是表现地图艺术的重要载体，本文介绍了地图美学在地图信息传输巾的重要性和地图符号构成的地图美学要素，从地冈符号的形状、尺寸和色彩方面探讨地图美学应用的问题，提出了关丁符号设计方面的几点看法。     

1∶10000 DRG更新及文件输出方式

在利用现有1∶10 000地形图转换作业时,传统的纸质、胶片等地形图需要经过数字化处理后,才能获得内容、几何精度和色彩与原图保持一致的栅格数据;简单阐述了2种DRG更新的方法以及文件输出方式。     

地图的集合模型(表达式)及比较应用初探

本文在分析和综合地图实质与内容的基础上,应用比较方法提出了点作为构成地图的“细胞”,并由此入手建立了点的一般集合表达式,指出表达式是点的定位基础信息、表示类属的性质特征信息、区别颜色的表象特征信息以及反映颜色浓淡的信息等6个变量的函数。然后推导了地图要素和最终的地图一般表达式。作为例子,文中运用这些表达式推证了各类点、各种地图要素及几种地图的表达式。 作者认为,依据这些表达式还可对作为传输信息工具的地图在人们认知过程中的作用和结果作进一步的探索。