Re-cartographies of Landscape: New Narratives in Architectural Atlases

Abstract

This paper explores the potential of a different kind of counter-mapping. It focuses upon a critical reading of five different architectural atlases and argues that their construction and design reveals how ‘re-cartographies’ can narrate novel stories about places. The narrative power of these atlases is traced back to a focus upon relations between phenomena, and a careful consideration of how to map the mutability and dynamism of the built and natural environment. They offer new kinds of selection, classification and symbolisation; deploy hybrid forms to destabilize taken for granted binary distinctions between nature and culture; use montage and juxtaposition to reveal scalar linkages; re-imagine figure–ground relationships to reveal functional city forms and processes; and explore the potential of meta-structures in the relations between different maps in an atlas layout. Taken together, they show how the cartographic imagination can escape from standard and accepted orthodoxies. They also reveal the importance of a situated and historicized narrative approach to all mapping, and offer a kind of counter-mapping from an academic field, which might allow more creative professional engagement with the making of places.     

Mapping the London 2012 Olympics

Abstract

The London 2012 Olympic Games was a true spectacle of sporting achievement. It also provided the impetus for official organisations, news media and individuals to turn the vast amount of data into map form. This paper provides an outline of some of the cartographic highlights (and one or two lowlights) that the Olympics inspired. There were some great maps on view and also some interesting trends emerging, particularly in terms of web maps and web maps used as infographics. In particular, the Dorling cartogram saw widespread use, particularly to map medal tallies by online news media.     

Reasserting Design Relevance in Cartography: Some Examples

Abstract

While concepts and theories about design underpin the work of the professional cartographer, it is unrealistic for most map-makers to be cognisant of the plethora of techniques available to support excellence in design. In the second part of our paper to reassert the relevance of design in cartography, we present the results of a survey of cartographic experts drawn from the academic and professional world. The survey asked participants to present their top ten most expertly designed maps from throughout history. Here, we share the most frequently cited maps that emerged from that survey and describe why they exhibit design excellence. By showing map-makers a range of high-quality cartographic work, we aim to provide exemplars that demonstrate how design affects a map and expertly marries form with function. The techniques on display are well executed and create products that are both well suited to their purpose and have an aesthetic quality that invites people to take notice. They are all, in their own ways, beautiful examples of the art of design in cartography. We have deliberately avoided a ‘top ten’ approach and, instead, offer three examples in a range of map categories. The examples are neither definitive, nor exhaustive and should act as a starting point to explore design in cartography from those who have managed to set the bar high.     

Influential Visual Design Parameters on TV Weather Maps

Abstract

Information transformation on television weather maps (TVWMs) is influenced by visual elements for a broad range of viewers. This research emphasizes the cartographic aspects of TVWMs through evaluating their visual variables. Currently defined visual variables including basic, dynamic and motion variables are investigated and some suggestions are made to improve their application on TVWMs. The rates of the represented visual information within different frames and the related standard deviation are proposed as measures to improve the performance of the ‘duration’ dynamic variable. The concept of ‘visual expressions’ is introduced, and their applications at the organisational level of map design are discussed. Such expressions (including background, boundary, spatial order, zoom and overview maps) are examined as tools for ‘user orientation’ in particular, and their role as dominant parameters in TVWMs’ cartographic communication is considered. Their incorporation in TVWMs of a number of global news channels is evaluated. Firstly, the concepts of visual design parameters are utilized as a foundation for an analytical evaluation, then an empirical evaluation is carried out based on a statistical investigation of a sample of TV viewers. The resulting ranking order and correlation coefficients for each of the elements shows a firm agreement, corroborating views on the importance and proficiency of the visual elements in communicating weather information. As a result, TVWMs of well-known global TV channels (BBC, Euronews, France24, PressTV) are ranked with respect to the effectiveness of their designs.     

Searching for the ‘Right’ Legend: The Impact of Legend Position on Legend Decoding in a Cartographic Memory Task

ABSTRACT

Map legends are key elements of thematic maps and cartographic communication. The question of how to style map legends is a topic which has often been addressed by cartographic academics and practitioners. Nevertheless, the question of where to position a map legend has only hardly been discussed. Principles of cognitive sciences allow the assumption that a legend positioned to the right of a map field can be read and decoded faster than a legend on the left side. This study investigates the impact of legend positioning on legend decoding. It involves an experiment based on a recognition memory paradigm and the registration of eye-movements. The results show that, in less time, a legend positioned to the right of the map field (compared to a left legend) can be decoded faster. The same accuracy of a cognitive representation of geographic space can be achieved in spatial memory.     

Mapping for history: the influence of the 7th Field Survey Company’s 1917 operation maps on the historiography of the 3rd Battle of Gaza

ABSTRACT

During Palestine Campaign of World War I, the British Army’s Egyptian Expeditionary Force produced a series of operation maps to track and control the progress of their offensive into Palestine. These maps demonstrated innovation in both their form and function, and they have been referenced and reproduced by both map scholars and military historians ever since. Leaning on J.B. Harley and Matthew Edney’s ideas about critical map history, this essay provides a critical examination of these operation maps to illuminate the sociocultural context of their creation and examines the maps’ influence over the broader historiography of the Palestine Campaign. In doing so it highlights the interdisciplinary value of critical map histories.     

The British Cartographic Society Awards 2006

Abstract

While graphic variables in 2D maps have been extensively investigated, 4D cartography is still a widely unexplored field. In this paper, we investigate the usefulness of 4D maps (three spatial dimensions plus time) for cartographically illustrating spatio-temporal environmental phenomena. The presented approach focuses mostly on explorative research rather than on enhancement and extension of existing methods and principles. The user study described in the paper shows that 4D cartography is not a well-explored research area and that many experienced map users try to apply their knowledge from 2D maps to 4D dynamic visualisations. Thus, in order to foster the discussion within the community, we formulated several basic research questions for the area of 4D cartography, which range from methods for representing time in 4D visualisations and understanding the temporal context to finding generic methods to achieve optimized temporal generalisation and a consistent definition of graphical variables for 3D and 4D.     

Mapping Inequality in London: A Different Approach

Abstract

Maps provide an effective means of distributing ideas simply, creating a format where spatial data can be easily understood. However, a lot of people are not aware where administrative boundaries lie, limiting their appeal for educating the public on important issues such as poverty and inequality. This paper seeks to utilize a well-known cartographic map design, the London Underground map, to aid data dissemination of the complex issues surrounding inequality and deprivation in London. A discussion of the relevance of this approach to researching inequality in London, as well as how this fits in with previous approaches to mapping poverty is provided. An example using the recent release of the Indices of Multiple Deprivation 2010 shows the usefulness of this design.     

Remapping Fictional Worlds: A Comparative Reconstruction of Fictional Maps

ABSTRACT

This article presents a quantitative analysis of fictional maps and their relation to historic maps from different periods. Fictional maps are maps of imaginary territories. This type of map is now common in fiction, but they arose relatively late, in the second half of the nineteenth century, and are considered an independent branch of cartography today. They stand out through the way they are published because they are component parts of books and not independent cartographic works, and therefore their creators are not cartographers but rather the authors of these books. Fictional maps are mostly subordinate to the story, but they serve to give a sense of historical authenticity and draw the reader into the story. Without networks of coordinates and with labels such as ‘the end of the world’, they are spatially indeterminate, but they establish a connection between the fictional landscape and its identity. This study deals with 89 fictional maps from recent children’s and young adult literature. First we present a historical overview of these works and fictional maps, and then a cartographic analysis of fictional maps. We examined seventy-seven books with fictional maps and evaluated the maps according to five groups of standard cartographic elements: natural elements, built elements, toponyms, mathematical elements, and explanatory elements. We discuss the differences between cartographic representation of fictional maps and historic maps, and build a cartographic model based on the frequency of cartographic elements to put fictional maps into historic and geographical contexts.     

Maps for the Reluctant

Abstract

This paper describes the design and development of two trial 1:100 000 scale Ordnance Survey maps targeted specifically at the inexperienced and reluctant map users in the touring and holiday market. These are two maps which depart from the very high map specification designs normally offered by Ordnance Survey. The use of extensive consumer market research and the objective analysis of existing touring type maps on sale have enabled Ordnance Survey to publish two experimental maps, which will succeed or fail by consumer reaction alone.     

Deconstructing Galbraith: A Geostatistical Analysis of Cartographic Intent

Abstract

This study uses cartometric techniques to reveal cartographic design considerations operative in Frank H. Galbraith’s 1897 railway mail service training maps. Galbraith’s maps make extensive use of humorous cartouches intended to serve as mnemonic devices for learning railway mail service routes. Poisson and quadrat point pattern analyses are performed on all eight maps in the series to determine whether the mimetic symbols are clustered along the railway mail routes or dispersed throughout the mapped spaces to achieve better graphic balance. Evidence overwhelmingly indicates that the placement of the mnemonic symbols was primarily driven by design considerations. The study therefore proves that it is possible to use cartometric techniques to deconstruct the map document to determine the cartographic design principles operative during the map's construction.     

地图学四面体--数字化时代地图学的诠释

传统地图学研究3个关系:实地-地图,读者-地图,读者-实地.这个学科的框架可以称为"地图学三角形".对这三种关系的研究随学科和行业的不同而各有侧重.数字地图的出现扩大了传统地图学的视野和服务面.现代地图学需要面对6个关系的探讨.除了上述3个关系外,还要增加数字地图-地图,数字地图-实地,数字地图-读者3个关系.新的学科框架变成了"地图学四面体".从"三角形"到"四面体"反映了信息时代地图学的发展与变革.地图学的存在取决于人类对地图永恒的需求和地图本身的科学价值.     

Reasserting Design Relevance in Cartography: Some Concepts

Abstract

Cartographers have always been concerned about the appearance of maps and how the display marries form with function. An appreciation of map design and the aesthetic underpins our fascination with how each and every mark works to create a display with a specific purpose. Yet debates about what constitutes design and what value it has in map-making persist. This is particularly acute in the modern map-making era as new tools, technology, data and approaches make map-making a simpler process in some respects, yet make designing high-quality maps difficult to master in others. In the first part of a two-part paper, we explore what we mean by map design and how we might evaluate it and apply it in a practical sense. We consider the value of aesthetics and also discuss the role of art in cartography taking account of some recent debates that we feel bring meaning to how we think about design. Our intent here is to reassert some of the key ideas about map design in cartography and to provide a reference for the second part of the paper where we present the results of a survey of cartographers. The survey was used to identify a collection of maps that exhibit excellence in design which we will showcase as examplars.     

Maps > Representation

Abstract

Colour is considered a key means of expression for use in cartographic works. This is because colours and the relations among them influence not only the aesthetic impression a map creates but also its overall utility. In addition to Newton’s spectral colour theory, today theories with origins in artistic technique are gaining ground in cartography. This article introduces J. Itten’s colour theory (first published in 1961 in The Art of Colour [Kunst der Farbe]) with special attention given to his concept of seven colour contrasts. The article also discusses the suitability and unsuitability of their application in practical cartography, and it contributes original examples employing thematic maps, a discipline with broad possibilities for the application of these inventive methods by today’s mapmakers.     

可视化与地图普及教育

现代可视化使地图的功能发生了根本的变化,地图作者的数量在可视化的兴起中迅速增长。这种现象不仅具有一定的理论基础,而且可以从可视化实践中得到论证。中国学术期刊数据库中与地图相关的论文统计结果证明地图应用具有越来越广泛的趋势。地图普及教育是十分必要的。以普及性教育为出发点,作者对地图学课程从理论、实践和教学方法等方面提出了具体的教改建议,并进一步提出为地学以外的所有专业开设地图通识课和建设地图知识普及网站等措施。     

Cartography: Making Sense of Our Worlds

Abstract

One goal of cartographic research is to improve the usefulness of maps. To do so, we must consider the process of spatial knowledge acquisition, the role of maps in that process, and the content of cognitive representations derived. Research from psychology, geography, and other disciplines related to these issues is reviewed. This review is used to suggest potential new directions for research with particular attention to spatial problem solving and geographic instruction. A classroom experiment related to these issues is then described. The experiment highlights some of the implications that a concern for the process of spatial knowledge acquisition will have on questions and methods of cartographic research as well as on the use of maps in geographic instruction. It also provides evidence of independent but interrelated verbal and spatial components of regional images that can be altered by directed map work.     

Study of the attentive behavior of novice and expert map users using eye tracking

The aim of this paper is to gain better understanding of the way map users read and interpret the visual stimuli presented to them and how this can be influenced. In particular, the difference between expert and novice map users is considered. In a user study, the participants studied four screen maps which had been manipulated to introduce deviations. The eye movements of 24 expert and novice participants were tracked, recorded, and analyzed (both visually and statistically) based on a grid of Areas of Interest. These visual analyses are essential for studying the spatial dimension of maps to identify problems in design. In this research, we used visualization of eye movement metrics (fixation count and duration) in a 2D and 3D grid and a statistical comparison of the grid cells. The results show that the users’ eye movements clearly reflect the main elements on the map. The users’ attentive behavior is influenced by deviating colors, as their attention is drawn to it. This could also influence the users’ interpretation process. Both user groups encountered difficulties when trying to interpret and store map objects that were mirrored. Insights into how different types of map users read and interpret map content are essential in this fast-evolving era of digital cartographic products.     

The design and composition of persuasive maps

Persuasive maps are ubiquitous in society, yet cartographers have largely neglected to conduct serious, holistic research on them. Persuasive maps represent a form of visual communication that differs markedly from scientific geovisualization. First, many of these maps' communicative goals are anathema to those of scientific representation. Second, many persuasive maps ignore and defy established cartographic conventions. This article argues two things. First, the cartographic discipline can gain insight about how maps communicate information from the longitudinal and holistic analysis of persuasive maps. By comparing the differences and similarities of persuasive maps to scientific geovisualizations, researchers can begin to understand how persuasive maps communicate differently than scientific ones. Second, breaking persuasive maps down into composite parts may make it possible to identify persuasive map norms (i.e., methods of design that are embraced by producers of persuasive maps). The results of a content analysis of 256 persuasive maps are discussed. The article concludes that it may be possible to take the most statistically significant results from this study to begin identifying different rhetorical styles of persuasive maps.     

John Keates and Recreation Mapping: Personal Recollections

Abstract

John Keates is very well known for his numerous scholarly contributions to cartography as an academic discipline and science. However, throughout his career, he was also very actively involved in the design and production of maps. Mostly these were specialized thematic maps produced as the result of scientific research in the field sciences, especially in geology, glaciology and vegetation studies. However, during the 1970s he was much involved in the design and production of a considerable number of maps for recreation purposes, including maps for orienteering. Many of these maps were regarded at that time as being extremely innovative in terms of their cartographic design and layout. The article outlines the development of what became known as the 'Glasgow' style of map design John Keates' involvement with recreation maps in the 1970s.     

Recent Maps and Atlases — Map Cabinet

Abstract

There is currently a high demand for spatial data usage within web applications. From a technical viewpoint, web services and geoportals aim to fulfil user requirements; however, the current cartographic methods do not satisfy the needs of the end users. The problem is more challenging when the final map contains data from various sources that have various cartographic characteristics; therefore, the vital information might be located under the base map layer. In this paper, we propose the concept of layer priorities as foreground, middle ground or background, and we propose the two following methods to enhance the symbolisation: polygon overlay and colour saturation methods. The results from two case studies show that these methods can satisfy the requirements of the end users.